“exposure” examines the failing domestic structures in Detroit through the toxins that abound in the historic housing stock. It questions the fallacy of safety within the notion of home, and the corporate powers that put families at risk. “exposure” looks explicitly at lead paint present in pre-1970’s homes and are made with lead paint stripped from my own home, a domestic performance done in private. The images are printed on silk and stitched together, merging collage and quilting, then displayed distorted and dripping from wood strainers, suggesting something awry within the domestic framework.